Phil Julian & John Macedo – Bind
Recorded at various locations in South East London, 2013-16.
HR12 [Hideous Replica]
CD edition of 100, 2016
Recorded live at Cafe OTO [30.11.15]
Program repeats on both sides
WC12 [‘Wasted Capital Since 2013’]
C58 edition of 25, 2016
Review by Paul Margree here.
Review at Vital Weekly here.
Saturday 28 February, 14:00
Studio A2, Primary, 33 Seely Road, NG7 1NU Nottingham
2-11pm – £3 on the door
Reactor Halls E14: Cables:
“A cable is more than a mere length of wire. It is a trail to be followed, tracing a line between two points, or a meshwork of interwoven threads. Rammel Club will present installations, workshops and performances that explore the electronic aspects of auditory arts and collaborative improvisation. With: A.N.T. Attack, [D-C], Dale Cornish, Experimental Sonic Machines, Ian Watson, Marlo Eggplant, Melanie O’Dubshlaine, Mortar Fiskeren, Murray Royston-Ward, Phantom Chips, Phil Julian, and Trans/Human.”
* Review of the event by Marlo De Lara and Benjamin Hallat at Radio Free Midwich.
Review by Paul Margree of some recent releases including Atlas and the duo recordings with Jason Kahn on and Dale Cornish:
Harbinger Soundclash Vol II
15/11/2014 @ De Kreun, Kortrijk, Belgium:
The Urinals (USA)
Sleaford Mods (UK)
Storm Bugs (UK)
Junko (HIJOKADAN) (JP)
Mark Durgan & Phil Julian (UK)
The Lowest Form (UK)
Cremation Lily (UK)
Spoils And Relics (UK)
Vortex Campaign (UK)
The Parabelles (UK)
Alice Kemp (UK)
Mark Wynn (UK)
+ More TBC
Joke Lanz (Sudden Infant)
Danny Gromfin (LAFMS)
Johan Loones (Kraak)
Doors 15:00 – First Band 15:30
Tickets And Info:
10 Euro (members) / 13 Euro presale / 16 Euro at the door
Eyewitness account by Steve Cammack here.
18th August 2014 @ Cafe OTO
Door Times : 8pm
Tickets : £7 adv, £9 on the door
“Debut London performances from three new ensembles spanning the full range of acoustic-electronic performance and comprised of some of the most exciting musicians currently working in the capital.”
Dominic Lash / Dimitra Lazaridou-Chatzigoga / Phil Julian (trio) + Ute Kanngiesser / Clive Bell / Jennifer Allum (trio) + Stephen Cornford / Dan Bennett (duo)
More info/tickets here.
* Review of this event by Paul Margree here.
Photo by Lasse Marhaug
Review and .flac download of the the UK premiere of Maja Ratkje’s “Crepuscular Hour“.
“Performed at the Huddersfield Contemporary Music Festival 2012, the singers came from the combined chamber choirs of the University of Huddersfield and the RNCM, the noise musicians were Antoine Chessex, Mark Durgan, Phil Julian, Lasse Marhaug, Hild Sofie Tafjord & Stian Westerhus, Nils Henrik Asheim was at the helm of the organ, and they were all conducted by James Weeks.”
“A Christmas gift to you – over two hours of music exclusive to the Admirable Restraint radio show, as (mostly) heard on the Christmas Special broadcast on 19 December but now available in glorious high-quality audio.
Featuring John Butcher, Stephen Cornford and Samuel Rodgers, Gil Sansón, Kostis Kilymis, Phil Julian, Ben Owen, Samwich Pettingzoo and Andrew Brooks, and both Daniel and A F Jones.
Available as a name-your-price download with all proceeds going to Beyond Blue, working to reduce the impact of depression and anxiety in the Australian community.”
Features an unreleased track from the York VCS3 sessions.
Reviews by Brian Olewnick here and Richard Pinnell here.
Will be performing as part of the “Noise In And As Music” symposium at the Center for Research in New Music (CeReNeM), Huddersfield University.
Friday 04/10/2013 @ 8:30pm
University of Huddersfield
Phipps Concert Hall
Full schedule at hud.ac.uk/research/researchcentres/cerenem/noise/
The book “Noise In And As Music”, edited by Aaron Cassidy and Aaron Einbond and published by Huddersfield University Press, will also be officially launched during the symposium weekend. Contributors include Peter Ablinger, Sebastian Berweck, Aaron Cassidy, Marko Ciciliani, Nick Collins, Aaron Einbond, Matthias Haenisch, Alec Hall, Martin Iddon, Bryan Jacobs, Phil Julian, Michael Maierhof, Joan Arnau Pàmies, and James Whitehead (JLIAT).
Simon Cummings, about the event: 5against4.com/2013/10/13/the-rest-isnt-noise/
New release via Authorised Version.
Recorded in The Rymer Auditorium at the Music Research Centre, York University 17th August 2012 using two EMS VCS3 synthesisers.
Recorded directly to computer HD, edited for length & re-sequenced, no other instrumentation.
Mastered by Jac Beloeil.
Nine track chrome C40 cassette w/ download code. (.flac, .mp3 and other options available.)
Limited to 100 copies only.
Order here: a-version.co.uk/av038
Photographs from the recording session here.
Review by Steve Cammack here.
New release –
“Hive Work” available from Sheepscar Light Industrial.
Recorded late 2012 in London (analogue electronics, detektor circuit, computers).
** CDr now SOLD OUT from source, email me for availability of spare artist copies.
Mark Wharton takes a listen.
Fifteen releases that made an impression during 2012.
Featured in The Wire magazine, Issue 344, October 2012.
Michael Muennich, Michael Esposito, GX Jupitter-Larsen – “The Wraiths of Flying A” CD
Firework Edition Records [FER1102] – 300 copies – available November 2012
01: The Green Room (Muennich/Esposito)
02: Interlude (Muennich ft. Esposito)
03: Heimsuchung (Muennich/Esposito/Jupitter-Larsen)
04: Interlude (Esposito)
05: The Wraiths of Flying A (Muennich/Esposito)
06: Interlude (Muennich ft. Esposito)
07: The Haunting of Mary Miles Minter (Part one) (Esposito/Muennich)
08: Interlude (Muennich ft. Esposito)
09: Slithering (Muennich)
10: Interlude (Muennich ft. Esposito)
11: The Haunting of Mary Miles Minter (Part two) (Esposito)
12: Interlude (Esposito)
13: Stage Left (Esposito/Jupitter-Larsen)
Original field recordings/EVPs captured by Michael Esposito at American Film Studios, Santa Barbara, CA (PAW case file: PAW109), additional sounds recorded by Michael Muennich at Fragment Factory, Hamburg during 2011/2012, edited and processed by Michael Esposito, Michael Muennich and GX Jupitter-Larsen, Chicago / Hamburg / Los Angeles.
Mastered by Phil Julian, London in September 2012.
Artwork by Philip Marshall, Berlin in May 2012.
“Safeword” from the Cheapmachines / Family Battle Snake 7″ (Harbinger Sound, 2008) featured
on the MuhMur SoundArt Broadcast 28/10/2012 by Steve Cammack: