“The Great Hall 15/06/2012”
(Analogue Modular Synthesiser)
Recorded by John Macedo at The Great Hall,
Goldsmiths University, London.
Live sound by Tom Mudd.

“Fylkingen 26/10/2013”
(Computer w/ppooll + BugBrand Board Weevil 2009)
Room recording, Fylkingen, Stockholm.
Live sound by Per Åhlund.



Phil Julian & John Macedo – Bind

Recorded at various locations in South East London, 2013-16.

HR12 [Hideous Replica]
CD edition of 100, 2016



Recorded live at Cafe OTO [30.11.15]

Program repeats on both sides

WC12 [‘Wasted Capital Since 2013’]
C58 edition of 25, 2016


Review by Paul Margree here.
Review at Vital Weekly here.


Live audio recording and performance video of Maja S. K. Ratkje’s composition “Crepuscular Hour” released by Rune Grammofon.

Available as 2LP+CD+DVD/CD+DVD sets from Rune Grammofon, Boomkat etc.

Live performance at Town Hall, Huddersfield 20th November 10pm
Huddersfield Contemporary Music Festival 2012

Performed by The 24, RNCM Chamber Choir, University of Huddersfield Chamber Choir, Stian Westerhus, Hild Sofie Tafjord, Phil Julian, Mark Durgan, Antoine Chessex, Lasse Marhaug and Nils Henrik Asheim.
Conducted by James Weeks.





10th July, Red Gallery, London

A dazzling tribute to the great Italian horror films of the 1970s will get a retrofit all of its own at this very special event. Hélène Cattet and Bruno Forzani’s neo-giallo sees a man search for his missing wife in the labyrinthine halls of his apartment building, only to become submerged in the strange fantasies of sensuality and bloodshed emanating from the psyches of the place’s other inhabitants.

The initial release of The Strange Colour of Your Body’s Tears had no original score and instead used music from existing giallo films. Blanck Mass, Death Waltz Originals and East End Film Festival are now proud to present a spectacular new record that reaches beyond regular film soundtracks.

Edinburgh-based musician Ben Power (Blanck Mass, Fuck Buttons) has devised a stage for experimentation and collaboration with several artists from across the globe. Each was assigned a scene to work with and given complete freedom to score it how they wanted, without any knowledge of what was planned by the other musicians. Contributions came from Stockholm’s Roll The Dice, London’s Helm, Moon Gangs, and Phil Julian, Glasgow’s Konx-Om-Pax, and New York’s C. Spencer Yeh, as well as Blanck Mass himself.

The end result is a fascinating record that enthralls, seduces and terrifies in equal measure. Death Waltz’s double vinyl is housed inside a 425gsm reverse board gatefold sleeve pressed on an exclusive screening event colour ltd to 500 units.

The screening will be followed by a DJ set from Blanck Mass and friends.

Order the double LP here.