Wet Sounds

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“Photic Ellipse” – stereo mix of four channel computer-generated audio now available for free download in .wav, .flac, .ogg and .mp3 via Authorised Version.

a-version.co.uk/free
archive.org/details/PhilJulian-PhoticEllipse

Used as part of the Netaudio Festival 2011 broadcasts on Resonance FM and also formed the basis for the Wet Sounds diffusion performance at Newcastle City Swimming Pool on 06/02/2011.

Also featured as part of the Daniel Jones curated series “Curates Egg“.

Live Flux

NEW RELEASE VIA TAPEWORM!

Cassette only – 200 copies
Illustration – Allon Kaye

Track listing:

A: Hope and Anchor, 19/04/2012
B: ICA, 14/07/2012

Recorded live in London (analogue modular synthesiser, computer, radio)

ORDER from the Touch Shop.

Also available via Boomkat, and in the USA from Forced Exposure and Aquarius:

“Another list, another batch of tapes from UK label The Tapeworm! This one comes from a guy named Phil Julian, who despite apparently being quite active in the experimental music underground since the nineties, we had not previously heard of. But all it took was a few seconds of his Live Flux to convince us that that was definitely an egregious oversight on our part. Huge billowing clouds of low end rumble and buzzing metallic shimmer, all constructed from experiments with “unstable/chaotic systems”, aka modular synths, contact mics, feedback etc. It’s impossible to tell what the source is for these sounds, but it hardly matters, just sit back and let these thick sonic swells wash over you. Undulating, and softly pulsing swirls seem to coalesce into heaving walls of sound only to immediately dissipate into drifting clouds of sonic particles, before beginning to gather once again. The sound eventually settles into something much more serene, a sort of Niblockian stretch of layered tones, backed with all manner of incidental sound, voices, shuffling feet, pieces of wood on concrete, hard to say if these were purposeful or not, but they do add mysterious texture, to Julian’s dronemusic, which even in its more serene state, begins again to build to something dense and intense. The flipside is more of the same, but the recording is more raw, wreathed in hiss, the sounds pulsing madly as well, as if tones were chosen that were just off enough that their overtones would collide and disagree, the results though are a wild chaotic cloud of hissing, throbbing soft noise, that for all of its noisiness and abrasion, still manages to be weirdly hypnotic.”

Excerpt from the release featured in Philip Marshall’s January 2013 mix for Entr’acte:

Track list here.

New recording “Atlas Restroom” used for “Music for Restrooms“.

Sound works for playback in the restrooms of the Atlas Performing Arts Center in Washington DC played in rotation 12 hours each day for three days for the duration of the Sonic Circuits festival September 28-30, 2012.

Download:  soniccircuits.bandcamp.com/album/music-for-restrooms

Floodplain

“Floodplain” now available via Julien Ottavi’s FIBRR Records.

Recorded August/September 2012 in London.

All source material from web browser based real-time audio synthesis and many-to-many vector mapping via TiberSynth v0.1 (Cory O’Brien 2012).

tibersynth.prtcl.cc
apo33.org/records/doku.php?id=virtual_records
archive.org/details/Floodplain

 

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Floodplain” will be streamed on 26/09/2012 via senderberlin.org on the APO33 show (4am CEST)

“Floodplain” – Recorded August/September 2012 in London.

All source material from web browser based real-time audio synthesis and many-to-many vector mapping via TiberSynth v0.1 (Cory O’Brien 2012)

http://tibersynth.prtcl.cc/

Also featured on the programme will be “Recent Errors” released earlier this year via Absence of Wax.

Diagrammene

Originally released in 2005 by Entr’acte (Entr’acte 18), now on Bandcamp.

First edition CDr came housed in a 5.25 inch floppy disc shell with coloured insert.

All material recorded live in Norway:

Figur En: Oslo, Dans for Voksne, 16/04/2005
Figur To: Bergen, Kunsthall/Landmark, 17/04/2005